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7 Essential tracks from John Prine, folk music's Mark Twain

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Copyright 2017 The Associated Press. All rights reserved.

FILE - In this June 20, 2017 file photo, John Prine poses in his office in Nashville, Tenn. Prine died Tuesday, April 7, 2020 from complications of the coronavirus. He was 73. (AP Photo/Mark Humphrey, File)

NEW YORK – Some people, the songs just come out of them. For nearly half a century, they tumbled out of John Prine like nothing.

His songs -- compassionate, funny, sage -- make up an American songbook that would be staggeringly intimidating if it wasn’t so warm and welcoming. He began -- with a dare at an infamous open mic -- a fully formed songwriter who through calamity and cancer never once wavered in his wry, homespun humanism. He was, anyone would say, as good as they come.

Prine was raised in the blue-collar suburbs of Chicago by parents from Western Kentucky. He learned guitar from his brother. He was a mailman for a time, writing lyrics as he delivered letters. The first song he performed -- when coaxed onto that Chicago open-mic stage -- was “Sam Stone.” It remains one of Prine’s most heartbreaking songs. In it, he sings with a deadpan hopelessness about the fate of a drug-addicted veteran: “There’s a hole in daddy’s arm where all the money goes/ Jesus Christ died for nothin’, I suppose.”

In songs that straddled Nashville country and Appalachia folk and fell somewhere in between Johnny Cash and Bob Dylan, Prine sang about characters like Sam Stone. The lonely housewife of “Angel From Montgomery.” The elderly couple of “Hello in There.” He did so with humor and understanding, and a keen Mark Twain eye that saw us all for what we are -- and loved us anyways. On “Far From Me,” Prine, who grew up next to a junkyard, sang: “Ain’t it funny how an old broken bottle/ Looks just like a diamond ring?”

Picking only a handful of songs by Prine is an errand that even a fool wouldn’t dare. But here’s trying.

“Angel From Montgomery”: A masterpiece that will be sung for as long as songs are sung. Recorded on Prine’s absurdly packed self-titled 1971 debut album, it gained far greater renown when Bonnie Raitt covered it. It has one of the great opening lines: “I am an old woman, named after my mother/ My old man is another child that’s grown old.” Songs this good don’t belong to anyone. They belong to everyone.

“Spanish Pipedream”: In this bouncy anthem about dreaming of a more pastoral life, the advice of a “level-headed dancer” rings as true today as it did in the early ‘70s: “Blow up your TV/ Throw away your paper/ Go to the country/ Build you a home.”

“Paradise”: Prine wrote this one for his father, about a town in Kentucky. When Prine was serving in the Army in Germany, his father sent him a newspaper article about how a coal company had bought out the town, named Paradise. After Prine recorded it, he played a tape of it for his dad. “When the song came on, he went to the next room and sat in the dark while it was on,” Prine recalled. “I asked him why and he said he wanted to pretend it was on the jukebox.”